Author: Camila Stella

The third season of Once upon a time aired one of the most heartbreaking scenes in the entire series. In the midseason finale, Peter Pan threatened to cast a dark curse that would torment the heroes for all eternity. The only way to stop Pan was for Rumpelstiltskin to sacrifice himself. So that’s what he did. Rumpelstiltskin used the Dark One’s dagger to kill Peter Pan and selflessly sacrificed himself for the safety of his family and loved ones. This scene was so heartbreaking that he had to sacrifice himself in front of his true love and family.

That was his sacrifice The most noble and heroic thing the audience had ever seen from Rumpelstiltskin. However, the character was brought back to life just two episodes later, putting an end to the selfless act. Furthermore, Rumpelstiltskin’s resurrection makes no sense without Peter Pan, as it broke the price of magic. The return of the popular character also contradicted the mythology of The Dark One, which was introduced in the show’s fifth season. After his resurrection, the character reverted to his dark and selfish behavior and became one of the main villains of the fourth season.

Rumpelstiltskin’s OUAT Season 3 “Sacrifice” was disappointing after his resurrection

The show turned him into a villain again

Rumpelstiltskin’s Sacrifice aired in the eleventh episode of the third season entitled “Going Home”. It felt like a natural end for the character, so viewers were shocked when the character returned just two episodes later in episode 13, “Witch Hunt.” This was revealed The character was brought back and held captive by the Wicked Witch of the West as her prisoner. When he was brought back to the land of the living, it was a life for a life, so his son Neal unknowingly gave his life so that Rumpelstiltskin could live on.

After the revival of Rumpelstiltskin, he became one of the biggest villains in the series, which completely negated his selfless sacrifice. He tried to kill the Wicked Witch, he tried to kill Hook to use his heart for a spell, and he tracked down the author of the storybook to force him to write a happy ending for all the villains while the heroes suffer forever. All these evil deeds Make it easy for the audience to forget their selflessness in the third season as they make the performance completely disappointing.

If Rumpelstiltskin had returned, Peter Pan should have returned too

The price of magic was taken away, so the magic should have been undone

Rumpelstiltskin only sacrificed himself because he had to kill Peter Pan to save everyone else. It was the price of magic required for Pan’s death. This means that Rumpelstiltskin’s return to the show raises the question of why Pan didn’t return too. Bringing Rumpelstiltskin back to the realm of the living meant the price of magic was gone. Therefore, The magic needed to kill Pan should have been undone. This would have led to more problems for the heroes, but an interesting storyline that had never been seen in the series before.

Pan eventually returned for three episodes of the series’ fifth season, as well as a voice-over appearance. Although he caused mischief in these episodes and attempted to kill Robin Hood and kidnap the Wicked Witch, he was once again defeated by Rumpelstiltskin. When he was defeated in Season 5, it was much easier than the first time. Since the character was already dead and that was the case in “The Underworld”. There was no price to pay for defeating the character.

The Dark One’s vault holds the power, not the Host of Once Upon A Time

The safe shouldn’t have brought Rumpelstiltskin back to life

In the fifth season of the series, it was revealed that once someone becomes a Dark One, they are transported to the Dark Man’s Vault, where the dark force consumes them. This happened to both Emma and Hook when they became Dark Ones. This proves that the vault is used to the dark contain the powers of the Dark Onenot the host himself.

That’s why when Neal opened the Dark One’s vault in the third season of Once upon a timeit shouldn’t have released Rumpelstiltskin, it should have released the powers of the Dark One. In the fifth season of the series, it was also revealed that Rumpelstiltskin was in the Underworld after his great sacrifice and a soul can only leave the Underworld if Hades allows it. After seeing Hades in season five, it is clear that he would never willingly allow a soul to leave the Underworld. Therefore, Rumpelstiltskin should not have been able to return from the underworld and appear in the Vault of the Dark.

I went into We Live in Time expecting a romance. And while the latest film from Brooklyn Director John Crowley Is The story of Almut (Florence Pugh) and Tobias (Andrew Garfield) is a romance and also about how a single moment in life can feel like it lasts an eternity and ends in an instant. The calm and powerful film made me ask: What does it mean that time moves forward and often leaves us behind? Unfolding in a series of scenes presented out of chronological order, We Live in Time is a reminder that the best moments must pass for the worst moments to pass.

We meet Almut (a chef specializing in modern European cuisine) and Tobias (a man who sells the most sensible of British breakfast foods, Weetabix) when their relationship is several years old. The ambitious Almut and the cautious Tobias work together so harmoniously that it’s an entertaining shock when we later learn that they met after she accidentally hit him with her car. The stars have instantaneous chemistry. Pugh and Garfield embody these lovers with passion and playfulness, anchored in the reality of everyday life and everyday conversations. There’s no melodrama here: Instead, “We Live in Time” falls over us like a heavy blanket of a couple’s simple joys and simple tragedies. Their love story is not the sweeping, dramatic love story of Titanic or The Notebook – its power lies in its silence. A relationship is more than its grand gestures and in fact it is the practical decisions that Almut and Tobias make together for the future that show the strength of their bond.

One surprise that stands out for me: the film’s use of nudity. Pugh and Garfield talked about filming a specific sex scene in We Live in Time – just the two of them on set with cameraman Stuart Bentley. Sex in this film is not intended to be suggestive or lurid; What makes these moments between Almut and Tobias passionate is their deep desire for each other, the giddiness of their lovemaking in the past and present. Intimacy means vulnerability, and Bentley captures that beautifully. Here the body is a subject, not an object. In a beautiful scene, Tobias and the heavily pregnant Almut bathe together with an ease that shows us a couple who are equally comfortable being naked together, both emotionally and physically.

Despite the novel presentation, this is a relatively straightforward story. The components are well known: couple meets, falls in love, has a child, survives a potentially fatal illness together. But these ordinary events are given added impact by the way We Live in Time shakes them up. One moment Almut could be in her 40th week of pregnancy. In the next one you might see one of the couple’s early dates.

There are no real visual signs of when any of this is happening – no title cards, no on-screen dates – other than changing hairstyles and the presence of her daughter Ella (Grace Delaney). Yet this non-linear timeline worked so well for me. Life is made up of moments, and the moments are what we remember, but no one thinks about their memories in the right order. Almut’s central conflict lies in how she will be remembered. As her cancer progresses, she behaves irrationally, sometimes even a little selfishly. But We Live in Time isn’t interested in calling them out for something entirely natural. Pugh delivers a heartbreakingly earnest portrayal of Almut, who rages against the idea of ​​death even though there is still so much to achieve. She is by no means a tragic figure, and her refusal to be seen as such – and the steps she takes to ensure that she does not live on in Tobias and Ella’s memories in this way – are effective.

Almut and Tobias are a couple that I will remember for a long time. Pugh and Garfield are a force together and play these characters with such care that I never doubted their devotion to one another. We Live In Time is a magnificent meditation on memory and life that explores the complexities of our approach to the passage of time. Our lives will last forever, our lives will soon be over: both can be true, and it’s nice to be reminded that the moments we live in can only ever be experienced once.

We live in the time gallery